![]() ![]() You can also adjust the size of the tracking boxes – the exterior box gives the tracking point a wider area of analysis, so try expanding that if you’re having trouble.Ĭlick the track button again and it will start overwriting at the point you moved to playhead to, utilizing the new bounding boxes you set for it. You can keep everything that it got right, and just overwrite where it went wrong. Start by moving the playhead to where the tracker started messing up. If it didn’t work as you expected, experiment with other points until After Effects gets it right. Now hit the play button marked Analyze, and After Effects will attempt to map out the movement in your shot. Then after getting motion tracking information, you would use After Effects to mask out this marker. If you’re planning on using motion tracking, you can use a high-contrast marker when filming – such as making an X out of tape that can go onto an actor’s clothing or a part of the background. Tracking can often be difficult to get perfect the first time, so don’t worry if it takes a while to find a good tracking point. To check the quality of your tracking points, move the timeline ahead and see if the points you chose become drastically different, and if After Effects can reliably track it. The point should stay in frame the whole time. This will create additional tracking boxes, which you will want to move to another good tracking spot.Ī good tracking point should be high-contrast and as stationary as possible. Position is checked by default, but you may also want to check rotation and scale depending on your project needs. Move the tracker around to a point in your footage that is on-screen the entire time and can act as a reference point for the tracking information. On this new layer, you will see a Track Point box appear over your footage.Ĭlick on Edit Target to make sure the target is set to your null object. This will open up a new Layer window, but your composition will still be next to it, and you can switch over at any time. On the right side of your screen you should see a Tracker button. Select the base footage that you want to track the camera movement of. This is where the tracking information will be stored, and allows other layers to interact with that information. A Null Object is an invisible layer that can hold properties, and apply them to another layer in your composition. The fastest way to do this is to right-click on your timeline and click on New, then Null Object. This tells After Effects how your footage is moving in 3D space and allows you to use that information to sync up multiple layers into a composition that makes sense. Motion tracking is one of the quintessential features of After Effects. If you have some of this prior experience in Adobe software, then you should have a much easier time getting down the basics of After Effects. The pen tool is common in Illustrator and Premiere Pro as well, so you may already be familiar with it. ![]() The pen tool is also used a lot for making masks. Experiment with layer masks if you’re able to as well – you will use these skills all the time in After Effects, but having a base knowledge of them in Premiere Pro will help a lot. If you don’t have this skill yet, try going back to Premiere Pro and animating the scale, position, rotation, and more, of your footage, within the effects panel. Start by marking your keyframe on the property you want to change by clicking the stopwatch button, and altering the property at various intervals to animate along the timeline. Keyframing works much the same as in Premiere Pro, and is an often-used skill in After Effects. ![]() This also means you can have the effects panel for multiple layers open at the same time. Each layer on your timeline can be expanded to reveal its effects properties – each one has Transform properties by default. Keyframing is a familiar tool for Premiere Pro users, but it functions within the timeline rather than in an effects panel. You have the timeline, as in Premiere, but it does function differently. MOVING FROM PREMIERE PRO TO AFTER EFFECTSīeing a video-based Adobe Creative Cloud product, After Effects shares a few things with Premiere Pro. ![]()
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